This series explores the quiet geometry of a lakeside winter — a place suspended between seasons, motion, and memory. Through fog, empty boats, and frozen paths, the camera performs a kind of visual scan — a “tomography” of stillness, where each layer reveals a subtle tension: absence vs. presence, waiting vs. decay, nature vs. the trace of the human. Shot on a Mamiya RB67 using Lomography LomoChrome Turquoise XR 100–400, the series captures a surreal atmosphere between memory and disappearance — an analog “tomography” of a place slowly vanishing.