Spectral Fields explores nature as residual light and memory, where time accumulates rather than disappears. Created using a vintage Agfa Isolette I and a single roll of expired black-and-white medium-format film, the project uses post-process double exposure to merge multiple moments within one frame. Images are layered, reused, and folded back into themselves, then painted and saturated with vivid color. Embracing chance and imperfection, the work aligns with lomography, experimental fine art, and double exposure, disrupting realism and reshaping perception.