When I first arrived in the Hong Kong megalopolis, a profound loneliness took hold. I began to question my own identity, wrestling with a deep sense of displacement. A year later, I stumbled upon a community of artists and outcasts who called themselves Voidpunk — a radical movement where individuals forge non-human identities, to empower themselves. Watching them inspired me, and their act of creative rebellion became the genesis of my project, Love Like a Monster. This project was developed during my 2025 Director's Fellowship at the International Center of Photography in New York.