Starting from conventional black-and-white 35mm negatives, experimental darkroom interventions transform the photographic image beyond what was captured by the camera. Water, salt, flowers, and colored light come into direct contact with fresh color negative film, generating unpredictable interactions and textures through time, exposure, and chemical reactions. Some images are produced entirely in the darkroom, while others combine camera-captured negatives with manual interventions, dissolving the boundary between documentation and material experimentation.