Informed by a neurodivergent perceptivity, I use Camera Obscura focusing architecture - forts, basements, abandoned houses and wagons, connecting with contemporary art issues. This series was made along an important boat route in Salvador, Brazil. Using pinhole I translate the experience of crossing the bay into images shaped by long exposures that dissolve boundaries between architecture, landscape, water, and human presence: the city revealed as a continuous flow transforming the journey into a visual experience of memory, perception, passage, and the politics of the urban environment