The Next Roll After Blow-Up is a photographic book conceived on the 60th anniversary of Michelangelo Antonioni's Blow-Up (1966). Rather than a remake, it continues the film's exploration of perception, ambiguity and the act of looking. Shot entirely on Kodak Tri-X 400 with a Nikon F, the book follows an encounter between a photographer and a model. Through sequencing, repetition and visual echoes, it asks whether analog photography can still reveal what digital images increasingly conceal.